Michael Ruddell has volunteered at the Freer|Sackler since 2016 as a Visitor Information Specialist (VIS). VIS provide essential services to the Smithsonian by offering a warm welcome and useful information to our visitors about exhibitions, activities, services, and more. I recently asked him a few questions about his work at the museum.
What drew you to the Freer|Sackler?
I’ve volunteered at Freer|Sackler for a year this month. For as long as I have lived in the DC area, I have been wandering through the Smithsonian museums. This has been a great opportunity for me to get more involved and to learn about art, history, and the people who value and create it.
What’s the most satisfying experience about volunteering for the museum?
As a Volunteer Information Specialist, I get to serve as an ambassador and public face of the Smithsonian Institution, which is very exciting. I really enjoy witnessing how our visitors experience the museum. It’s a lot of fun and very rewarding to hear their perspectives on the art and to learn from the many kinds of people who come to visit.
Can you share a memorable interaction with a visitor you have had?
Throughout the course of the Turquoise Mountain exhibition [on view through October 29, 2017], I [have been] lucky enough to meet some of the artisans from Afghanistan who came to demonstrate their skills in calligraphy, ceramics, and other arts for us at the museum. They were incredibly kind and extraordinarily talented. I watched them working and got to listen in on their conversations with the visitors.
I particularly remember watching Abdul Matin Malekzadah create a beautiful and intricate clay teapot in a matter of minutes (lid, handle, spout, and all) with a traditional potter’s wheel in the gallery, to the amazement of the visitors watching. When he had finished a piece, he would unceremoniously lump it all together and begin again on something different. The visitors’ reactions were priceless.
What’s your favorite artwork in the collection?
I’ve come to love the ceramics in the collection since I started volunteering, especially the Korean pieces. I like to think about the people who molded these shapes and worked so hard to produced these colors. I’m sure [museum founder Charles Lang] Freer would have loved a bottle like this one—it’s gorgeous.