A look at Saeeda Etebari’s jewelry designs.
Throughout the run of Turquoise Mountain, artisans will visit us from Afghanistan to demonstrate the materials and techniques of their crafts. Meet the artisan who is currently in DC by visiting the exhibition this Thursday and over the weekend.
Saeeda Etebari was born into the miserable conditions of a refugee camp in Peshawar, Pakistan, in 1984. She became seriously ill during the first week of her life and was diagnosed with cerebral meningitis. Due to the illness, she did not walk for three years, and she lost her hearing. Her parents tried to find a cure for her loss of hearing, but nothing worked.
After the fall of the Taliban, Saeeda’s family returned to Kabul. She finished high school and even taught at the same school, but she did not find teaching as rewarding as she had hoped. When her brother suggested she study a craft instead, Saeeda enrolled in the Turquoise Mountain Institute.
“I chose jewelry because I love the focus and skill that making jewelry requires,” she says. “You need to be really precise and really patient. I can lose myself for hours when I’m working on a delicate piece. The more intricate the work, the more I enjoy it.” When asked how it feels to sell her works to others, she replies, “Designing a piece that somebody will buy and wear is a special experience for me. I love making a connection with someone through a shared sense of beauty.”
Photographer Steve McCurry shared the beauty of Afghanistan with the world more than thirty years ago, when his captivating photo Afghan Girl stared out from the cover of National Geographic magazine. A few weeks ago on Instagram, he asked the public to post their own interpretations of Afghanistan’s beauty for the opening of our exhibition Turquoise Mountain: Artists Transforming Afghanistan. We’ve been following the responses using the #turquoisemountain hashtag, which are also featured in the exhibition itself. Below are a few of our favorite shots that you’ve posted of Afghanistan and of your experiences in the Turquoise Mountain galleries.
Throughout Women’s History Month, we’re joining the National Museum of Women in the Arts in highlighting and celebrating women who are artists. We’ll introduce female artists throughout Asian art history, as well as those who currently grace our galleries with contemporary works. Use the hashtag #5womenartists to join in.
This Saturday, we debut Turquoise Mountain: Artists Transforming Afghanistan, an exhibition on the eponymous organization that is reviving traditional Afghan crafts. Artisans from Afghanistan will visit us throughout the show’s run, sharing their stories and their creations.
The first artisan to make her way to DC is Sughra Hussainy. At the age of fifteen, Hussainy was orphaned and left to care for her siblings by herself. Hoping to generate income to support her family, she began studying calligraphy and miniature painting at the Turquoise Mountain Institute.
Hussainy, who is now studying fine art at Kabul University, is regarded as one of Afghanistan’s most promising young artists. She has received a number of international commissions and has showcased her work at several exhibitions in Kabul and the United Kingdom.
Meet Hussainy and see her work when Turquoise Mountain debuts on March 5. Have questions? Share them with us, and we’ll pass them on to our artisans.
Since 2006, Turquoise Mountain has worked in partnership with the community of Murad Khani, providing employment, education, healthcare, and a renewed sense of pride. Image courtesy Turquoise Mountain
Turquoise Mountain is named after a fabled lost city, located in what is now central Afghanistan. The city was destroyed in the early 13th century by Ögedei Khan, son of Genghis Khan.
The charity’s name was chosen by its founder, Rory Stewart, who walked across Afghanistan in the winter of early 2002. During his walk, Rory Stewart passed the Minaret of Jam, a two hundred-foot structure built around 1190 CE, located in a remote and largely inaccessible area of Ghor province in central Afghanistan. This minaret is likely one of the last surviving elements of the city of Turquoise Mountain. Stewart decided to name the charity after this lost city as a symbol of the rebirth and revival of Afghanistan’s once-proud cultural heritage.
Read Stewart’s New York Times piece on his travels, and experience the wonders of Afghan art when Turquoise Mountain: Artists Transforming Afghanistan opens March 5.