Tag Archives: koto

Making Musical Waves

Descending Geese of the Koto; Suzuki Harunobu 鈴木春信 (1724–1770); Japan, Edo period, ca. 1766; woodblock print; The Anne van Biema Collection, S2004.3.21

Descending Geese of the Koto; Suzuki Harunobu 鈴木春信 (1724–1770); Japan, Edo period, ca. 1766; woodblock print; The Anne van Biema Collection, S2004.3.21

We owe the emergence of modern music for the koto, a Japanese zither, to a temple-court musician named Hosui. In the mid-1600s, Hosui was dismissed by the famously capricious nobility in Kyoto for giving an unacceptable performance.

Hosui ultimately prevailed. After resettling in Edo (modern-day Tokyo), he taught blind commoners how to play the exclusive court music styles and instruments that were previously restricted to Buddhist priests and Confucian scholars. Among Hosui’s students was the shamisen player Yatsuhashi Kengyo (1614‒1685), who pioneered a large and influential repertoire of secular koto music that is still performed today.

More than three hundred years after his death, Yatsuhashi’s tomb in Kyoto is marked by a commemorative stone. His accomplishments in music mirror those of the Japanese artist Sōtatsu, who is credited with bringing the visual arts of the court to a much wider public.

You can hear a few of of Yatsuhashi’s signature works and several of their later incarnations performed by local koto artist Miyuki Yoshikami and flutist Amy Thomas. Their free performance is held on Saturday, January 30, at 1 pm in the ground-level pavilion of the Sackler Gallery. While you’re here, take a last look at Sōtatsu: Making Waves before it closes on January 31.

Sketching the Koto Player

Sketching the Koto Player in the Sackler; photo by H. Wicaksono

Japan Spring is a feast for the ears as well as the eyes. Come listen to the sounds of the koto, the national instrument of Japan, happening now through 2 pm.